Virtual Museum

Trimsheets + Nanite for Sculptures

1. Blocking & Pre-Production in Unreal
I started by modeling directly in Unreal Engine to ensure accurate scale and proportions from the very beginning, then exported the greybox/blockout to Maya to refine geometries and add hard-surface details and plan and create my texture trimsheet system for optimized workflows.

2. Trimsheets & Blueprints: Reusability
Developed a trimsheet system for repetitive elements (pillars, walls, ceilings, modular assets), avoiding individual material assignments.
Implemented a Blueprint with sliders (as it seems in the painting frames) to instantly swap textures, speeding up iteration and reducing manual work.

3. High/Low Poly + Nanite Workflow
Environment: Traditional high-to-low poly baking for furniture and structures.
Sculptures: Leveraged Nanite for organic pieces (sculpted in ZBrush/Nomad) to preserve cinematic detail without performance cost.

4. Interaction & Audio: Final Polish
Custom colliders on the character to prevent clipping and improve physics.
Audio Blueprint with classical music, bringing life to the museum space.